BLACK PANTHER: THE MOST UNIQUE CONTRIBUTION TO BLACK THEOLOGY

God works through me, the same as you. There is no feat I achieve that you are not capable of.”

-Black Panther

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As fascinating and as unexpected as it may sound, the Black Panther is indeed a very important figure in comics. This exception of the Black Panther does not exclude other significant black superheroes of authority and influence such as the Blue Marvel. But, the Panther takes first place because he came before the rest. His impact on African American thought was revolutionary. At a time when the African American community battled with self identity, Marvel Comics showed that they could rise up to the occasion and create a character who would be the image of African Americans. The Black Panther, though unassociated to the group that went by the same name did something unimaginable. It not only changed how African Americans saw themselves, it also demonstrated that though they originally hailed from Africa [which had been christened the ‘Dark Continent’ in the sixties], that they and their homeland were not so ‘dark’ after all.

In a manner that must have stunned DC readers at the time, the Black Panther was a point in and of himself. Unlike DC’s Cyborg, the Panther was not a sidekick, he was his own authority. He has remained, since the time of his creation, a king, a genius of Marvel’s top cream, a superhero and a priceless contribution to the Avengers’ team on panel. Now, here’s where some of you may ask some questions like, “Wasn’t Marvel just trying to capitalize on a present issue to earn some extra income?”. The answer, a resounding “No”, here’s why; Stan Lee had pointed out that he did not like his character being ‘shadows’ of the so-called ‘main hero’ because he felt that they took something away from this main hero. He later on went to state that he would not do to any of his characters what DC had done to Batman’s Robin and subjugate them.

At a time when comic books themselves were seeking relevance, Stan Lee and Marvel Comics were on the right path. Seeking to create characters of substance, and relatability; meaning that the selling point of the characters would not be on their power or abilities but on their diverse personalities, weaknesses, challenges and ability to ‘rise up’ as it were after being knocked down several times over. This, if I must say, is a strength. And as recent comic news is showing us, Cap’s history has been re-written. He is now a triple agent and a HYDRA project?? Anyway, many fans are a bit confused about this reveal but this story is bound to be one that may lead fans to respect the Captain even more. Some of you might be skeptical but watch this space…

Now, to the issue at hand, Black Theology and Black Panther’s contribution to the same. Black theology has had a very powerful influence on American society as a whole. Be it loved or hated, it is a force to reckon with. Seeing the likes of Martin Luther King Junior, pardon me, Dr. Martin Luther King Jr. springboard the revolution in the U.S. that shook the very core of the rest of America we got the best comparison to the Black Panther character. We got Barack Obama, an educated African man who made African American history through his dual heritage as a Hawaii-born black man. It’s this point that makes me respect Marvel; they looked into the future by being great analysts of the present. I speak and express myself in these posts as a young African man of black descent and I have grown up reading comics. Not only do I love them, I relish their perspectives on several events. As an African theologian, I am thrilled to see the parallels that can be made from the comic book/fictional realm and the realm of theology. If some of the greatest ministers advised other preachers/theologians to hold a paper in one hand and the Bible in another, then comic books qualify right there near the newspaper.

Kudos Marvel on bringing the character to the big screen in Captain America Civil War!

“The more different we are, the more we find that we are the same”

-Chinese Proverb

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X-MEN APOCALYPSE: THE LADDER OF GREEK ARISTOTELIAN PHILOSOPHY

DARK PHOENIX V. APOCALYPSE

“You are all my children…”

-En Sabah Nur (Apocalypse/The First One)

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X men: Apocalypse, the title of this X-month’s box office release from Fox Studios. Bryan Singer’s new film promised to bring fans to the edge of their seats in the cinemas as they were treated to the story and visuals from the film. Although many critics right now have not really been impressed by the movie since its release this month, it still carries some elements that are worth examining as far as adaptations of comic book story lines and themes are concerned. Let’s begin, shall we?

In the intro of the film, we are treated to the first elements that introduce the movie as something of a theological thriller; this can be credit to the fact that the film begins by showing a time sequence going through major historic events. One of the surprising ones was Jesus’ crucufixion. Odd as it might be the pace of the ‘history montage’ as I would like to call it, at the beginning of the film briefly poses and slows down before quickly going through other significant events that lead up to the modern day (i.e. the 1980’s). This is after a brief introduction of Apocalypse’s introduction is given at the very start. Though highly suggestive, there’s room for argumentation.

Later on in the film, hints and blatant remarks and on-the-nose commentary on Apocalypse’ role in the movie are constantly made (just in case we, the viewers forgot). From comments about Apocalypse being ancient (McTaggart [whose character is something of a background character]), to his role and greatness rivaling biblical power and authority, even down to the constant reminder from Apocalypse [the main antagonist] that he is (or has been known in history as) “Yahweh, Krishna, Elohim” has shown the movie to be somewhat equal in essence to DC’s Batman v. Superman which was released earlier on this year.

Although I do agree that in the comics, characters such as DC’s Superman, Dark Seid, Wonder Woman, and Marvel’s Apocalypse, (and soon to be seen on screen’s) Thanos are shown to be characters with either a god complex or a god-like power or authority. Even though such is the case, the movie, X-Men Apocalypse has some elements introduced into the main atagonist’s character that remind us of Greek Philosophy. One of these elements has got to be the one made by Christianity, Islam and Judaism regarding the First Cause and the Power Inconceivable (as I would like to call it). The first argument basically states that nothing comes into being in and of its own volition and as such everything visible and invisible has to be attributed as coming from somewhere–more precisely, from someOne. The second argument implies that if a person can conceive of a being with greater power than the ones that he/she knows, then there is a likelihood that such a being to exist by the sheer fact that we can conceive of such a being; this ladder goes on until we arrive at the intellectual conclusion that there is a being greater than all who must himself be God, as the argument goes.

What brings these arguments in cohesion with the film, is that Apocalypse is narrated/presented throughout the film as being extremely powerful. An aspect that is shown to have come to be through his stealing of other beings’ powers that were more powerful than he. This is the way in which Apocalypse is presented through the second argument to truly be a god. So, to further his claim to godhood, he seeks to take Charles Xavier’s gifts of telepathy and mind control to quote en quote ‘have the power to be everywhere and anywhere at any time, and to be able to bend the will of men to his own’.

What’s disturbing about Apocalypse desire is that it parallels another Greek story about Icarus who ‘flew too close to the sun and perished’. Apocalypse builds a pyramid to echo his glory and further throw at the viewers his ‘deserved’ enthronement above all mankind so that he may rule over them all. The problem is when, like in the arguments (referenced above) are introduced into the picture, we see that Apocalypse was truly a mere mortal and was capable of death. This takes place when Jean Grey channels her ‘true’ power, the non-mutant, cosmic power of the Dark Phoenix. This is what destroys the foe and turns him to ashes. And for anyone who would like to creeped out a little bit, it is a few seconds prior to this that Apocalypse whispers, ‘Finally, it is here to complete my work’ (my paraphrase) [his true ‘child’ has come to be!].

Bottom line, there is much to be reflected on from this movie. Apocalypse is a good reason why the claim to divinity is unattainable by any mortal. On the flip side, the cosmic dwarfs the mortal abilities of men and is the superior form of power. It is in this realm that we see  that room is created there for another being with greater power than Jean’s in the X-verse (X-men Universe). With that being said, what do you make of these comic book characters and the themes behind their various natures?

Be blessed as we continue with the journey into theology and nerd-dom!

 

DC’s KINGDOM COME: MESHING UP THE PULPIT AND THE COMIC BOOK

PART 2: WHEN BIG QUESTIONS ARE RAISED ON THE PULPIT OF THE ARTS

“The meek would [indeed] inherit the earth…but God didn’t account for the mighty”

-Dodds to Minister at hospital bedside

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What a powerful way to begin the story. Kingdom Come, like the Dark Knight Returns series (i.e. the comic books) came in a multi-part series. The setting of KC is in a dystopian future where the heroes have come into the fore and have demonstrated to the ordinary, regular person that power is everything. This is seen in how reckless they have become in how they dish out justice to criminals and villains; a matter that had brought one of DC’s main characters, Batman to loggerheads with Superman–another one of DC’s top heroes.

Bruce Wayne (Batman’s alter ego), broken, aged and disenchanted with the current state of affairs, criticizes Superman for his failure to be an example. Bruce goes on to state that because of Clark Kent’s (Superman’s alter ego) failure to mentor the growing number of young heroes who had taken it upon themselves to fight crime, that he is to blame for the social unrest that has taken over the world. With the revelation that Superman’s failure has resulted in global consequences, Bruce wages war on Clark, declaring that he is unfit to lead. With Batman’s aides and allies by his side, they take up arms declaring the end of the reign of the unchecked forces and combat them.

Meanwhile, Dodds looks on as the embodiment of God’s wrath in the DCU (DC Universe), the Spectre, prompts him to look on from a distance and judge the actions of these vastly powerful beings. Therein lies the crux of the story, does absolute power in the name of fighting for good necessarily bring security? For as the narrative shows the reader, all this came about when one young hero of this alternate timeline decided to murder the Joker in cold blood after a court proceeding. But this act alone made many question whether men and women who empowered vastly like Superman were truly equal.

Many were in fear wondering if truly, the Law would apply to such beings. For as Dodd’s rightly asks, “Does the Law apply to those with immense power? With those more privileged than others?” Jail them, they can break out. Threaten them and with their bare hands, they can kill you. Ignore their actions, and there is civil unrest. Confront them and danger looms like a shadow?

Is it truly possible to speak out against injustice in this world. Because, if so, how terrifying is it to be the average mortal who is given the power to sway things in his favor given the power of the Wrath of God. How terrifying it is too for when God’s people pray so are they made like Dodd’s for they are in his position, demonstrating that truly, the meek will reclaim and not only inherit the earth.

-END